After two decades in the video trenches, I’ve cut, colored, animated, and sound-designed just about everything, from fast-paced commercials and scroll-stopping social content to music videos and longform docs. I’ve worked with well known brands like Amazon, Adobe, the NFL, and Procter & Gamble, but I treat every frame — no matter the budget — like it’s going on the highlight reel.

I grew up on watching sports and music videos, listening to mixtapes, most hidden under my bed so my parents wouldn't find them because of parental advisory lyrics, and somehow ended up in a career where both matter. Whether I’m editing a game-day hype spot or animating a lyric video, I’m chasing rhythm, flow, and that “hell yes” moment when everything clicks. If it moves, I can make it move better. Editing is part instinct, part obsession. I’ll spend an hour fine-tuning a cut just to hit the beat drop exactly right, and don’t get me started on organizing project files. (My bins have bins. I know, It’s a problem...or a superpower.) When I’m not at my desk, I’m probably watching sports or a movie, diving into new music, or explaining keyframes to someone who didn’t ask...Again. Let’s build something that moves people, literally and emotionally.